Yeah! The beat is your lifeline. If the drum roll hits at 4/4, think of 24 frames per second—so each quarter note is 24 frames, each eighth note 12, and every half‑beat 6. For a jump cut, drop it right on the 2nd or 4th beat so the audience feels that punch. A pirouette syncs best to the bass drop when you time the spin to land on the exact frame of the drop—so if the drop is on beat 4, have the spin start a beat earlier, finish mid‑air, and land on the drop frame. Keep the squash and stretch exaggerated at the take‑off and landing; that’ll make the movement pop and match the energy of the bass. Just keep it tight, feel the groove, and let the frame counts guide your footwork—boom!