I start each stream with a five‑minute pause, like a cup of tea steeping in silence, and then I write a quick list of three goals—no more, no less—so the mind knows its map. When the audience energy spikes, I let that heat in, but I keep my breathing steady, like a metronome that only counts the beat that matters. If the rhythm drifts, I snap back to the first goal, then the second, and the third, and repeat. That way the flow stays smooth, the ritual stays perfect, and the only thing that can crash is the idea that “more is always better.”