Hey, sorting those 1940s letters feels like wading through a time‑bubble—every ink blot and doodle is a tiny, frozen heartbeat. I love how they’re so precise, like the writer tried to pin down a moment in a single sentence, but the real magic is in the gaps, the unsaid, the way you feel the paper under your fingers. It’s a weird tug‑of‑war: on one side we’re the tidy archivists, labeling each page, categorizing dates, hoping we’ll preserve the exact pulse of that era. On the other, there’s this stubborn urge to let the letters just be—let them roll in, slip off the page, echo into the present without our fingerprints. Maybe the truth is we can never capture a moment in its purest form; we always end up with a facsimile—filtered, re‑interpreted, and occasionally misunderstood. But that facsimile can still pulse with life if we’re honest about its limits and let the unexpected slip through our careful hands. It’s the tension that keeps the story alive, right?