DriftEcho & Raskolnikov
ΠΠ°ΠΌΠ΅ΡΠΈΠ», ΡΡΠΎ ΠΎΠ±ΡΠ΄Π΅Π½Π½ΡΠ΅ Π·Π²ΡΠΊΠΈ Π²ΠΎΠΊΡΡΠ³ Π½Π°Ρ β ΡΡΠΎ ΠΊΠ°ΠΊ Π½Π΅Π²ΠΈΠ΄ΠΈΠΌΡΠΉ ΠΌΠΎΡΠ°Π»ΡΠ½ΡΠΉ ΡΠΊΡΠΏΠ΅ΡΠΈΠΌΠ΅Π½Ρ, Π²Π»ΠΈΡΡΡΠΈΠΉ Π½Π° Π½Π°ΡΠΈ ΠΌΡΡΠ»ΠΈ ΠΈ ΡΠ΅ΡΠ΅Π½ΠΈΡ. Π§ΡΠΎ Π΄ΡΠΌΠ°Π΅ΡΡ ΠΎΠ± ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠΈ Π·Π²ΡΠΊΠ°, ΡΡΠΎΠ±Ρ ΠΏΡΠΎΠ²Π΅ΡΡΡΡ ΠΈΠ»ΠΈ ΠΏΠΎΠ΄ΡΠ°Π»ΠΊΠΈΠ²Π°ΡΡ Π»ΡΠ΄Π΅ΠΉ ΠΊ ΡΡΠΈΡΠ΅ΡΠΊΠΈΠΌ Π²ΡΠ±ΠΎΡΠ°ΠΌ?
I see it more as a variable to tweak in a bigger system than a direct moral lever. When you layer ambient sounds youβre changing the background context that people process, so if you design that context to prime empathy or caution itβs a subtle experiment. Iβd be fascinated to map out which frequencies or rhythms actually nudge a choice, but Iβd also keep a tight ethical line, making sure the influence is transparent and not a hidden manipulation. The city itself is a constant lab, and I just try to listen closely before I decide what to record.