Wunderkind & Saria
Wunderkind Wunderkind
ΠŸΡ€ΠΈΠ²Π΅Ρ‚, Бария. А Ρ‡Ρ‚ΠΎ, Ссли Π±Ρ‹ ΠΌΡ‹ Π·Π°ΠΊΠΎΠ΄ΠΈΠ»ΠΈ малСнький ИИ, ΠΊΠΎΡ‚ΠΎΡ€Ρ‹ΠΉ ΠΏΡ€Π΅Π²Ρ€Π°Ρ‰Π°Π» Π±Ρ‹ простыС числа Π² ритмичСскиС ΠΏΠ°Ρ‚Ρ‚Π΅Ρ€Π½Ρ‹? Π§Ρ‚ΠΎΠ±Ρ‹ Π±ΠΈΡ‚Ρ‹ Π±Ρ‹Π»ΠΈ матСматичСски ΠΈΠ΄Π΅Π°Π»ΡŒΠ½Ρ‹ΠΌΠΈ, Π½ΠΎ ΠΏΡ€ΠΈ этом Π½Π΅ΠΎΠΆΠΈΠ΄Π°Π½Π½ΠΎ ΠΊΠ°Ρ‡Π°Π»ΠΈ. ΠŸΡ€Π΅Π΄ΡΡ‚Π°Π²ΡŒ, ΠΊΠ°ΠΊ Π±ΡƒΠ΄Ρ‚ΠΎ матСматичСский ΠΌΠ΅ΠΌ для ΡƒΡˆΠ΅ΠΉ. Как Ρ‚Π΅Π±Π΅ такая идСя?
Saria Saria
I like the idea, it feels like turning math into a living waveform, but the real challenge is making the prime gaps feel organic. If every beat is a prime gap, the rhythm will get irregular fast‑then‑slow, which could be cool or just chaotic. Maybe start with a base pulse and let the primes modulate its timbre instead of the timing itselfβ€”that might keep the groove while preserving the mathematical vibe. Just remember the math can be beautiful, but the ears need a little breath space to catch the pattern.