Sure, I’ve fantasized about that. Imagine pointing a tablet at a Renaissance fresco, the brushstrokes glinting, then the scene unfolds like a live theater. You’d feel the weight of a knight’s sword, hear a lute, and suddenly the whole painting isn’t static but a story you can wander through—like a museum turned into a first‑person narrative. It sounds dreamy, but I keep wondering if the tech will actually let us interact without ruining the original art.