Nice to hear you’re pulling that warm analog vibe. Try running the tape track through a light high‑pass filter to cut the low end, then blend it with a clean digital layer and let the digital one own the mid‑range. Use a subtle parallel compression on the analog track so you keep that tape saturation without losing definition. And don’t forget a touch of plate reverb on the digital part to glue it together—keeps the mix from feeling like two separate worlds. Give it a go and tweak the level until the warmth just “sings” through the digital clarity.